Microphones

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Sennheiser MKH 8050 Super-cardioid Microphone

The MKH 8050 offers an even higher attenuation of off-axis sound than its sister model, the MKH 8040, by virtue of its super-cardioid pick-up pattern. ItÂ’s a good option for recording soloists, or when acoustic separation is demanded of your work. A balanced frequency response throughout the whole pick-up pattern ensures large instruments like pianos...View more

Audio-Technica BP4029 stereo shotgun microphone

The Audio-Technica BP4029 Stereo Shotgun Microphone is engineered for the highest level of broadcast and production use. Originally developed for use at the 2000 Summer Olympics in Sydney, this microphone provides flexibility unrivaled by another manufacturer. Featuring a switchable low frequency roll-off and revolutionary internal matrixing system, this mic offers versatility galore.View more

Sony ECM-680S Electret Condenser M/S Stereo Shotgun

The Sony ECM-680S is an MS stereo electret condenser-type shotgun microphone, ideal for a broad range of field production and broadcast studio applications. With newly-developed microphone capsules, it offers excellent sensitivity, low inherent noise, and a flat-and wide frequency response. The ECM-680S has switchable operation between highly directional monaural and stereo modes.View more

Audio-Technica BP4071 Line + gradient condenser microphone

Powerful and direct, Audio-Technica’s BP4071 Line + Gradient Condenser Microphone was tailor made for the requirements of professionals including film/TV, wildlife recording and music studio recording. Despite being only 39.5cm long, the BP4071 provides a low noise floor, clean, and balanced output equal to mics 50% longer.View more

Audio-Technica BP4027 stereo shotgun microphone

The Audio-Technica BP4027 Stereo Shotgun Microphone was developed for high-end professional broadcast and production use. It includes independent line-cardioid and figure-of-eight elements configured in a Mid-Side arrangement with switch-selectable internal matrixing. A choice of selecting wide or narrow stereo output is also available – displaying the unparalleled flexibility of the BP4027.View more

Audio-Technica BP4071L Line + gradient condenser microphone

Audio-Technica’s new BP4071L Line + Gradient Condenser Microphone was designed specifically for broadcast professionals. This microphone can pinpoint exactly what it wants to pickup thanks to its narrow polar pattern and excellent rejection from the sides and rear. The BP4071L offers crisp, clear audio reproduction in a 53.9cm long, 175g body.View more

Sennheiser MKH 8090 Wide Cardioid Microphone

The MKH 8090 is a high-end condenser microphone with a wide cardioid pick-up pattern which functions as a main mic when less acoustic impression of space is demanded, and as a support mic it excels in capturing large groups of instruments. It operates on the RF principle that has been used and perfected by Sennheiser...View more

Sennheiser MKH 8070 Long Shotgun Microphone

This long shotgun microphone was designed for picking up distant sources of sound in the best quality – an ideal choice for major broadcast and sporting events. Its extreme directivity and a pronounced lobar pick-up pattern deliver under tough sonic and climatic conditions and it ensures attenuation of off-axis sound without colouration. Like all mics...View more

Sennheiser MKH 40-P48 Cardioid RF Condenser Microphone

The MKH 40 performs well as a main microphone, especially in lightly reverberant or acoustically less perfect rooms, with a range of further applications with instrumental groups or for speech. Its wide-angled, neutral directional characteristics and high level of reverse attenuation deliver an exceptionally balanced sound recording. Includes a shock mount and a windshield.View more

Sennheiser MKH 20-P48 Omni-directional RF Condenser Microphone

The MKH 20 can be used as a main microphone for orchestras and solo instruments, although it does have a much wider range of applications because omnidirectional microphones do not suffer from ‘proximity effect’; an increase in low frequency response with decreasing distance to the audio source. It is good at reproducing the natural acoustics...View more